Empty Fields yield familiar faces/Who Know me, who I know too
Saturday June 6 | doors at 7:30pm | performance at 8:00pm
$15 ADVANCE tickets | $20 DAY OF SHOW | $10 STUDENT tickets with ID | always pay what you can
an interdisciplinary performance installation of dance, text, and sound that physically tethers performers to a surreal, amorphous, western landscape and its creatures
Empty Fields Yield Familiar Faces// Who know me, who I know too, is an interdisciplinary performance installation unfolding at the will of a shapeshifting, Western landscape. Movement artists explore facets of the self by interacting with physical tethers to their environment and its fantastical inhabitants. I use tethers, as an extension of the self, to further my recent fascination with pulling and stretching bodily appendages to extreme, impossible, and unrecognizable lengths in an attempt to view the body as simultaneously possessed and observed. A collection of stories guides performers and audience through the malleable relationship between girl and horse.
F E A T U R I N G
Performers: Eliza Loran, Linsey Dunbar, Scount Nankin, & Jayde Spiegel
Music: Kelby Clark
Set and Costume Design: Sonnet Garza
Jayde Spiegel
Jayde Spiegel is a Los Angeles–based dancer, choreographer, and performance artist. She earned her BFA in Dance from CSULB in May 2024, studying under mentors including Rebecca Lemme, Dolly Sfeir, Keith Johnson, Danzel Thompson-Stout, and Rebecca Bryant. Jayde has performed across the Southwest U.S., as well as internationally in San Juan Sacatepéquez, Guatemala, and Kiel, Germany. Her choreography has been presented in Los Angeles, Brooklyn, and Lucca, Italy, in local and international festivals and specialized studies. Her work in choreography, sound design, and costuming earned Gala selections at ACDA’s 2023 and 2024 Baja Conferences. In Las Vegas, she has contributed to several multimedia gallery spaces and recently debuted a solo exhibition featuring live performance and video installation.